Actually, right now there’s only one thing on the list: The Alamo Drafthouse Cinema. And it’s not just because they serve food and beer during the movies. It’s because they have such a strict no talking AND no texting policy. The theater has even been known to apologize in cases where a loud talker was not ejected from a theater. Before every film they screen a NO TALKING public service announcement, like this classic featuring the badass TX politician Ann Richards (with that badass head of hair):

Well, the latest NO TALKING p.s.a. is terrific too — and it’s so striking that it’s now featured on the Guardian‘s news website, of all places.

Okay, perhaps I tend toward the fascistic when it comes to no talking in theaters. But lemme tell ya, it’s so great to watch a movie without being distracted by the glow of little screens all over the room…much less the sound of some jackass chatting about what s/he’s watching.

The Double X Shuffle

1 April 2010

If only it were an April Fool’s joke.  A week after Slate’s XX Factor featured the pro-Goldman Sachs article by KJ Dell’Antonia telling working mothers to give up on a humane work schedule, now it’s got Angie Kim blaming feminists for demise of the mommy track. (In the meantime, their editor Hanna Rosin asked first and foremost on their Double X Gabfest whether The Three Weissmanns of Westport, the new book by the eminently smart and literary author Cathleen Schine, is “chick lit.”)

Of course the real question is why I keep picking this scab — why can’t I leave Double X alone, if all I get is a schizophrenic antifeminism under the guise of “what women really think”?  

When it launched on May 12, 2009, Double X posted such self-consciously provocative stories as “Why I Am Bored With Feminism” by Terry Castle (Terry, why?) and “Yes, Virginia, Feminism is Really Dead” by Susanna Breslin. Subsequent stories would state that feminists don’t understand Muslim women, while Christina Hoff Summers claims that men are now the “second sex”—propounding the newly popular line that there is a new “gender gap” for boys. As Breslin chirps about feminism, “I mean, didn’t we kill it already?” 

I think the reason I can’t leave it alone is because the Double X writers’ antifeminism indicates a particular generational malaise about the subject.  A site created by smart, educated, cosmopolitan women, many of whom are in their late 20s or 30s, seems to feel that in order to appeal to female readers, it needs a straw feminist to bash around—schizophrenically claiming that feminists are malicious, irrelevant, boring, or dead.  Apparently, the readership they anticipate looks exactly like them — coastal, highly educated, highly privileged, mostly white women who’ve already established themselves professionally and benefited as much as possible from the feminist legacy.  Now if only they could recognize that feminism might hold strong relevance to someone besides them.

There are a lot of reasons to feel exasperated by such a perspective (not least for its logical inconsistency).  I think my frustration with this perspective comes from living and teaching in Texas, a place that Molly Ivins (of course) described best. In Texas, she wrote, “the cultures are black, Chicano, Southern, freak, suburban and shitkicker. (Shitkicker is dominant.) They are all rotten for women.”

Maybe because of the rampant machismo here, Texas has long featured strong, outspoken women leaders from Ivins to Barbara Jordan to Ann Richards — and I’ve begun to see a new resurgence of feminism by young Texas women and men, as witnessed by the upcoming Feminist Action Project, among other efforts.  If Double X wants to succeed, its editors should recognize not only that feminism is relevant outside their small hothouse, but that many young people today who may not call themselves “feminists” nevertheless share frustration at the easy sexism and cheap homophobia appearing with such regularity and with so little check from media, politics, workplaces, and families.    

Take back the F word not merely from the Texas bubbas who still like the term “feminazi,” but from the women at Double X who moved up the ladder only to kick it out from the younger generation trying to move up.