The Academy released its Oscar nominations this morning, and they did not include a nomination for Kathryn Bigelow’s directing of the film Zero Dark Thirty, which stars Jessica Chastain.

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Bigelow and the film have already won big in other competitions. The film has won 6 Best Film prizes, and Bigelow has won 4 Best Director awards. This outpaces Steven Spielberg’s achievements thus far for Lincoln, which has received two Best Film prizes and zero Best Director prizes. All three times these two directors went head to head in a competition — the Broadcast Film Critics Association Awards, the Satellite Awards, and the Washington, DC Film Critics Association Awards — Bigelow won.

Let me ask the obvious: why does the Academy select up to ten films for its Best Picture category (including Zero Dark Thirty) but only five for Best Director? In the last several years the dividend between those two categories has inevitably seen female directors ignored. I liked The Life of Pi and Silver Linings Playbook a lot. But these films do not rise to the mastery of Bigelow’s work, nor to its cultural importance more broadly.

Perhaps it goes without saying that Academy Awards are the biggest, most visible prizes to be earned in film in the US. Too bad they reflect an old boys’ network looking out for their own.

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