Female buddy movies: “The Hairy Bird” (1998) aka “Strike!” and “All I Wanna Do”

2 December 2013

4540945_l3If this film’s three wildly divergent titles have you scratching your head, that’s because all three are terrible titles for a really pretty great feminist comedy. I wouldn’t have known it at all but for Wikipedia’s list of female buddy films.

The trick to Sarah Kemochan’s loosely autobiographical film is that it hides its feminism for a while behind all the usual clichés of girls’ boarding school films … particularly those set in 1963, as this one is. But when the feminism comes, it hits you in the head and the story takes a really interesting turn … and then does it again at about the 80-minute mark. (Can you just stop reading right now, watch the film on YouTube, and get back to me when you’re done?)

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Every boarding school film appears contractually obligated to begin with a reluctant new student whose parents have shipped her/him off due to behavioral problems. In this case, Odette (Gaby Hoffman, center) has been caught preparing to lose her virginity to her boyfriend Dennis. Off to Miss Godard’s School she goes, destined to share a room with Verena (Kirsten Dunst) and Tinka (Monica Keena), who have reputations for being a troublemaker and, well, a slut, respectively. Adding to the usual suspects are the ravenously bulimic Tweety (Heather Matarazzo), and the studious, ambitious Momo (Merritt Wever). First cliché: once she falls in with the troublemakers, Odette starts to love her life at Miss Godard’s.

All-I-wanna-do-rachael-leigh-cook-286023_750_496Sure, it’s not all roses. The school features a group of rules-oriented monitors, the most officious of whom is Abby (Rachael Leigh Cook, above center) who roams the halls looking for miscreants and tattling on her peers. “Miss Godard believed the girls should govern themselves, so we learn to take responsibility for our actions,” Abby chirps with those all-too-familiar evil eyes. Cliché #2: oh, those stooopid rules!

But be not afraid: things start to get more interesting. Odette finds that her four new best friends share not just a disdain for Miss Godard’s rules, but also for the trap such obedience has prepared for them: they are determined not to fall for the usual future of a husband, two children, a Colonial, and a collie. “No more white gloves!” they proclaim, dedicating themselves to far more wild and unpredictable futures: Verena wants to spearhead an international fashion magazine; Tinka plans to be an “actress/folk singer/slut,” Momo a biologist, and Tweety a child psychologist. What does Odette want? Short term: sex; long term: to be a politician.

img-0-4925886The films takes its time getting underway, for it feels the need to introduce us to a wide array of supporting characters, not least of whom are the slightly feral town boys — the leader of whom, Snake (!), played by a very young (but no less oily) Vincent Kartheiser, immediately falls in love with the luscious Tinka. So you’d be forgiven if you arrived at this point thinking that the film would continue to take the one-adventure-at-a-time narrative path, something like the wonderful boarding school film Outside Providence (1999) — and like that film, stay focused on problems like whether Snake and Tinka will make out, and how Odette will find a way to have sex, finally, with Dennis.

That would be the wrong assumption, for it’s at this point that the No More White Gloves girls discover that the school’s board of directors wants to solve its financial problems by merging with a nearby boys’ school. And the narrative starts to cook.

5067011400_58e805d64dWhen they meet to assess the situation, they find themselves deeply divided — because unlike their friends, Momo and Verena hate the idea of a co-ed school. At the most basic level for Momo it’s simply a question of logic: she knows full well she won’t get into MIT if she has to compete with boys from the same school. But she and Verena agree that the real problem is the inevitable en-stoopiding of the female students. “This is a school! we’re supposed to be getting smarter!” If the schools merge, Momo warns, “we’ll all be killing ourselves to be cute!” and all for the “hairy bird,” which is their description of boys’ genitals.

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Verena’s assessment is even more damning. All the attention to cuteness and personal care will make Miss Godard’s girls too tired to think. “But that’s okay, because the teachers, they won’t call on you anyway. Also, you don’t wanna be smarter than the boys — they don’t like that.” Going co-ed will trick everyone into falling for the white gloves and the full constricted future that goes with them. When Tinka protests that “real life is boy-girl, boy-girl,” Verena screams, “No. Real life is boy on top of girl.

Transcribing this scene doesn’t capture how much I was taken aback by this exchange, by its sudden clarity and perfect articulation of why single-sex schools are so spectacularly good for girls. The clichés didn’t fall away completely, but I became waaaayyyy more interested … and the film ratchets things up again later with the same dramatic skill.

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If the film’s central plot now turns around the question of whether — and how — our No White Gloves heroines can prevent the school from going co-ed, it might sound corny. Rather, I should say it is corny, but in a way fully in keeping with some of the overall rules of the boarding-school film genre (illicit sex, alcohol, secret passageways, revenge on evil teachers, etc.). Nor is it perfect; the film ultimately sacrifices Verena in a bizarrely implausible plot turn. But it also gains back Odette as a leader-orator in a way that made me so happy that I’m almost willing to let Verena get toasted.

tumblr_lxq5slItnC1qkzi0po9_1280As I’ve discussed already with this marathon (especially re: the tragically disappointing Romy and Michele’s High School Reunion), female buddy movies often sneak in a boatload of anti-feminist crap as they throw us the bone of female friendship. The Hairy Bird tries something entirely different. This film throws us the bone of a little hairy bird in order to make a powerful, feminist argument for female friendship, ambition, single-sex educational excellence, and collective action.

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In fact, I was so happy with this film that I now fret that no other female buddy picture can measure up. The only film I can imagine following up with is Thelma and Louise. Join me, won’t you — in about a week, when I’ve had the chance to watch it again for the first time since 1992. Let’s see how it measures up to its reputation as the great female buddy picture of American film history, shall we? (It certainly has a better title than this poor film.)

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8 Responses to “Female buddy movies: “The Hairy Bird” (1998) aka “Strike!” and “All I Wanna Do””

  1. Jitka Elisabet Says:

    Thanks for steering me towards this film! I loved it. I had never heard of this film, either, which truly amazes me. And yet, doesn’t surprise me…

    • Didion Says:

      I know, right? I feel as if I should know the titles of the full Kirsten Dunst oeuvre. All the better that I don’t, and that gems like this bubble up from the ether at just the right moment.

  2. Poppa Zao Says:

    Another girls’ boarding school comedy I remember is The Princess Academy (1987), about a Swiss finishing school.


  3. […] Pink/ girlie comedy (Romy and Michele’s High School Reunion), the boarding school dramedy (The Hairy Bird), and the field-defining roadtrip movie (Thelma and Louise). Clearly what we need next is a female […]

  4. Orlando Says:

    Never would have heard of this without you. Just saw and LOVED it, so thanks for that.

    I didn’t read Verena’s downfall the same way as you. I liked her seeing that a boy could turn out to be different from what was expected, that it didn’t only apply to girls. And I *adored* her scene with Lyn Redgrave, where we see how much on the same side they are. The cigarette, and the handshake, and the “never give up” – wonderful. I also loved the sly dig at the racism of the institutions, when the one Asian girl is paired up with the one black boy (height! Phbbt). I loved that Tinka instantly reverses her attitude to the boys when she sees they’ve hurt her friend, and that her warming to Snake (ahem) didn’t come out of the he-stalked-me-so-now-I-love-him playbook, but because she sees they can be allies. Gorgeous.

    BTW, you never told whether I managed to sell you Down With Love.

    • Didion Says:

      I know, right? It’s practically a secret film. And that scene with Redgrave reminds you how seldom we see viable cross-generational bonds and similarities displayed onscreen.

      I’m ashamed to say I haven’t had the chance to re-watch Down With Love but I read your wonderful piece on it three times and just haven’t had the chance to watch it with that in mind. Oh, this has been one of those academic years in which I barely stay above water (and hence the serious slowdown in blogging). It’s coming, Orlando, I promise!

  5. beautyintheeyesofbeholder Says:

    it is an underrated movie, because in fact, Miramax -the production house- refused to promote it widely, they told sarah kernochan -the director- to soften the feminism idea in the story, and showed more “sexy/cutesy” traits of the characters instead. Miramax were afraid that this movie not gonna sell due to strong feminist characters. Sarah refused to do so, and the movie ended up not being promoted a lot, even went to DVD/CD too soon than expected. Respect to sarah!


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