Early Hitchcock saved & preserved: “The White Shadow” (1924)

21 November 2012

Remember last spring, when the Hitchcock “For the Love of Film” Blog-A-Thon was raising money? All our funds went into the preservation of the film The White Shadow, one of the earliest films on which Alfred Hitchcock worked before becoming a director. The work has been completed, a beautiful soundtrack created, and the whole thing — that is, the extant 48 minutes discovered rotting in a New Zealand shed last year — can be viewed at the National Film Preservation Foundation site.

It’s just gorgeous, this preservation work. I particularly love those shots of the risqué Nancy (above), just smoking her cigarette, as the beautiful clouds of smoke swirl around her. In the lead role, Betty Compson is  terrifically unknowable — elusive, eminently watchable.

At the time of the Blog-A-Thon I watched early Hitchcock films featuring Anny Ondra, Hitch’s first blonde, that delightful actor who spanned the gulf between light humor and melodrama so nicely. But Compson is another thing entirely — rich with inner depths. She also made a now-lost film with Hitchcock called Woman to Woman (1924) and starred in a Hitchcock-written, British-produced film called Dangerous Virtue (1924).

Now, on to more important things: what are our long weekend movie-watching plans? I’ll you one thing: there’s going to have to be one film at the theater (but which one?) and one period drama (I’m thinking that recent Great Expectations with Gillian Anderson). Just as important: here’s hoping that my attempt to reproduce my mother’s stuffing succeeds, and that we have enough butter in the house. More soon, friends.

 

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